Checking date: 30/05/2018


Course: 2019/2020

Theory and practice of audiovisual directing I
(12329)
Study: Master in Documentary and Transmedia Journalism Feature (289)
EPH


Coordinating teacher: SAINZ DE BARANDA ANDUJAR, CLARA

Department assigned to the subject: Department of Journalism and Audiovisual Communication

Type: Compulsory
ECTS Credits: 3.0 ECTS

Course:
Semester:




Competences and skills that will be acquired and learning results.
Knowing the audiovisual narrative to generate transmedia storytelling documentary. Basic theoretical knowledge of technology involved in the capture and management of images and sounds. Crew and formats. Capacity and ability to manage audiovisual equipment. Know the main tools for designing online news packages. Make audiovisual stories committed to the values of equality and the defense of democratic principles.
Description of contents: programme
Media narrative. The figure of the director and teamwork. Basic techniques of documentarymaking and reports. Cameraman techniques. Lighting and sound. New recording devices and media formats. Filming devices according to projects. Editing and post-production digital media.
Learning activities and methodology
Theory taught at UC3M Practice taught at Instituto RTVE. Theoretical and practical classes on the management of audiovisual equipment. Introduction to Video Editing Viewings on audiovisual material. Recording and editing an information piece
Assessment System
  • % end-of-term-examination 0
  • % of continuous assessment (assigments, laboratory, practicals...) 100
Basic Bibliography
  • A. OHANIAN, Thomas . Edición digital no lineal. 1a ed. Madrid: IRTVE.. 1996
  • A. OHANIAN, Thomas . Edición digital no lineal. 1a ed. Madrid: IRTVE.. 1996
  • CARLSON, Sylvia y Verne . Manual profesional de cámara.. 1a ed. Madrid: IRTVE.. 2000
  • CASTILLO, José María . Televisión y lenguaje audiovisual. 2a ed. Madrid: IRTVE. . 2009
  • E. BROWNE , Steven . Edición de Vídeo. . 1a ed Madrid: IRTVE .. 2003
  • EISENSTEIN, Sergei Mijailovich . Hacia una teoría del montaje (I y II). . Barcelona: Paidós.. 2001
  • VILLAIN, Dominique . El Montaje. Barcelona: Paidós Comunicación.. 1997
  • WEYNAND, Diana . Final Cut Pro X. Apple Pro Training. 2a ed. Madrid: Anaya.. 2012
Additional Bibliography
  • B. Musburger, Robert. Producción en vídeo con una cámara. . 1a ed. Madrid: IRTVE.. 1994
  • Dancynger, Ken . Técnicas de Edición en Cine y TV. . Barcelona: Gedisa.. 1999
  • Guillem, Paloma. Final Cut Pro X: manual imprescindible. . 1a ed. Madrid: Anaya.. 2012
  • Hart, John. La técnica del storyboard. 1a ed. Madrid: IRTVE..
  • Mascelli, Joseph V. . Los cinco principios básicos de la cinematografía. manual del montador de cine. . Barcelona: Colección Bosch Comunicación.. 1988
  • Oringel, Robert. Manual de operaciones de televisión. 1a ed. Madrid: IRTVE.. 1999
  • Pareja Carrascal, Emilio. Sensores y cámaras CCD. 1a ed. Madrid: IRTVE.. 1991
  • Pudovkin, Vselvod . Lecciones de Cinematografía. Madrid: Ed. Rialp. 1960
  • Reisz, Karel . Técnica del Montaje Cinematográfico. Madrid: Taurus, Madrid (Edición actualizada en Plot). 1990
  • Sánchez, Rafael C . Montaje Cinematográfico. Arte de movimiento. . Buenos aires: La Crujía Ediciones.. 2003
  • Thompson, Roy . El lenguaje del plano. 1a ed. Madrid: IRTVE.. 2002
  • Ward, Peter . Composición de la imagen en cine y televisión. 1a ed. Madrid: IRTVE.. 1997
Recursos electrónicosElectronic Resources *
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The course syllabus and the academic weekly planning may change due academic events or other reasons.