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Course: 2024/2025

Theory and practice of audiovisual directing I

(12329)

Master in Documentary and Journalistic Transmedia Reportage (Plan: 321 - Estudio: 289)

EPH

Coordinating teacher: SAINZ DE BARANDA ANDUJAR, CLARA

Department assigned to the subject: Communication and Media Studies Department

Type: Compulsory

ECTS Credits: 3.0 ECTS

Course: 1º

Semester: 1º

Objectives

Knowing the audiovisual narrative to generate transmedia storytelling documentary. Basic theoretical knowledge of technology involved in the capture and management of images and sounds. Crew and formats. Capacity and ability to manage audiovisual equipment. Know the main tools for designing online news packages. Make audiovisual stories committed to the values of equality and the defense of democratic principles.

Skills and learning outcomes

Link to document

Description of contents: programme

Media narrative. The figure of the director and teamwork. Basic techniques of documentarymaking and reports. Cameraman techniques. Lighting and sound. New recording devices and media formats. Filming devices according to projects. Editing and post-production digital media.

Learning activities and methodology

Theory taught at UC3M Practice taught at Instituto RTVE. Theoretical and practical classes on the management of audiovisual equipment. Introduction to Video Editing Viewings on audiovisual material. Recording and editing an information piece

Assessment System

% end-of-term-examination 0
% of continuous assessment (assigments, laboratory, practicals...) 100

Calendar of Continuous assessment

Continuous evaluation through the realization of several practical exercises that are 100% of the final grade.  Some of these are individual, others are in group.
Part 1: Record and edition of an informative piece about the Institute. The record will be grouped but each student will have to have their own piece of information edited and exported. This part will be 70% of the final grade
Part 2: Delivery of an ample memory of the concepts acquired in TTRI. See rules of memory in virtual classroom. This part has a weight of 30% in the final grade.
To overcome the subject will have to make delivery of the two parts.

Basic Bibliography

A. OHANIAN, Thomas . Edición digital no lineal. 1a ed. Madrid: IRTVE.. 1996
A. OHANIAN, Thomas . Edición digital no lineal. 1a ed. Madrid: IRTVE.. 1996
CARLSON, Sylvia y Verne . Manual profesional de cámara.. 1a ed. Madrid: IRTVE.. 2000
CASTILLO, José María . Televisión y lenguaje audiovisual. 2a ed. Madrid: IRTVE. . 2009
E. BROWNE , Steven . Edición de Vídeo. . 1a ed Madrid: IRTVE .. 2003
EISENSTEIN, Sergei Mijailovich . Hacia una teoría del montaje (I y II). . Barcelona: Paidós.. 2001
VILLAIN, Dominique . El Montaje. Barcelona: Paidós Comunicación.. 1997
WEYNAND, Diana . Final Cut Pro X. Apple Pro Training. 2a ed. Madrid: Anaya.. 2012

Additional Bibliography

B. Musburger, Robert. Producción en vídeo con una cámara. . 1a ed. Madrid: IRTVE.. 1994
Dancynger, Ken . Técnicas de Edición en Cine y TV. . Barcelona: Gedisa.. 1999
Guillem, Paloma. Final Cut Pro X: manual imprescindible. . 1a ed. Madrid: Anaya.. 2012
Hart, John. La técnica del storyboard. 1a ed. Madrid: IRTVE..
Mascelli, Joseph V. . Los cinco principios básicos de la cinematografía. manual del montador de cine. . Barcelona: Colección Bosch Comunicación.. 1988
Oringel, Robert. Manual de operaciones de televisión. 1a ed. Madrid: IRTVE.. 1999
Pareja Carrascal, Emilio. Sensores y cámaras CCD. 1a ed. Madrid: IRTVE.. 1991
Pudovkin, Vselvod . Lecciones de Cinematografía. Madrid: Ed. Rialp. 1960
Reisz, Karel . Técnica del Montaje Cinematográfico. Madrid: Taurus, Madrid (Edición actualizada en Plot). 1990
Sánchez, Rafael C . Montaje Cinematográfico. Arte de movimiento. . Buenos aires: La Crujía Ediciones.. 2003
Thompson, Roy . El lenguaje del plano. 1a ed. Madrid: IRTVE.. 2002
Ward, Peter . Composición de la imagen en cine y televisión. 1a ed. Madrid: IRTVE.. 1997

Electronic Resources *

709 MediaRoom · Flujos de trabajo en 4K. (mayo de 2017). 709 MediaRoom. : http://https://www.709mediaroom.com/los-ultimos-productos-para-el-flujo-de-trabajo-4k/
Emezeta.com · Introducción a los tipos de códec (mayo de 2017) : http:// https://www.emezeta.com/articulos/formatos-de-video-todo-lo-que-deberias-saber
Instituto RTVE · Instituto RTVE. (s.f.). Página oficial del Instituto RTVE : http://http://www.rtve.es/instituto/sobre-instituto/
Página oficial de Final Cut Pro X. · Apple Final Cut Pro X. (s.f.). : http://https://www.apple.com/es/final-cut-pro/
SONY · Sony XDCAM. (s.f.). Página oficial de Sony : http://https://www.sony.es/pro/products/broadcast-products-camcorders-xdcam
UOC · Aplicaciones con software libre. (mayo de 2017). UOC: Universitat Oberta de Catalunya. : http:// http://mosaic.uoc.edu/2014/09/23/aplicaciones-de-software-libre-para-el-audiovisual/
Universitat Oberta de Catalunya · Flujos de trabajo (mayo de 2017). UOC: Universitat Oberta de Catalunya : http://http://mosaic.uoc.edu/2014/01/21/flujos-de-trabajo-en-audiovisual/

(*) Access to some electronic resources may be restricted to members of the university community and require validation through Campus Global. If you try to connect from outside of the University you will need to set up a VPN

The course syllabus may change due academic events or other reasons.