Checking date: 07/03/2024


Course: 2024/2025

Representations in contemporary film and television
(19742)
Master in Applied Research in Media (Plan: 516 - Estudio: 248)
EPH


Coordinating teacher: CILLER TENREIRO, MARIA CARMEN

Department assigned to the subject: Communication and Media Studies Department

Type: Electives
ECTS Credits: 6.0 ECTS

Course:
Semester:

Branch of knowledge: Social Sciences and Law



Objectives
Analytical and critical capacity to understand the keys of the evolution of audiovisual forms and the processes of reception of representations. Knowledge of the foundations of audiovisual aesthetics. Understanding of the social, cultural factors that condition the aesthetics of audiovisual creation.
Skills and learning outcomes
Description of contents: programme
1. Introduction to Audiovisual Aesthetics 2- The representationof of women in cinema 3. The representation of the motherhood in the cinema 4. Woman´s look. Feminist documentaries 5. The spanish audiovisual in front of its mirror: the citizen gaze
Learning activities and methodology
In the development of the subject, as a complementary activity for the training of students, a tour of Madrid is made to establish the traces that in the capital are of film or television activity. Previously, study documents from the website of the Tecmerin group (tecmerin.es) are used in class, and after the tour, an evaluation and discussion of what has been seen is done. The tutoring regime is planned to solve the doubts of the students in the development of the subject during 2h a week.
Assessment System
  • % end-of-term-examination 100
  • % of continuous assessment (assigments, laboratory, practicals...) 0




Basic Bibliography
  • Alain Resnais. Nuit et Brouillard. DVD. 1956
  • Aubert, J. P.. Madrid à l'écran (1939-2000). PUF. 2013
  • Ciller, Carmen. "The influence of Argentinian acting" in: Performance and Spanish Film in Performance and Spanish Film. Manchester University Press. 2016
  • Ciller, Carmen . "Algo personal: una experiencia de maternidad" en Maternidades: políticas de la representación. Cátedra +media. 2021
  • Ciller, Carmen . "Mirada de Mujer" en Doré en Casa. Sesión 80 Aniversario Pilar Miró (hoja de sala). Filmoteca Española https://www.culturaydeporte.gob.es/dam/jcr:2f7b1f7f-25e1-4453-8968-8f550ba3a311/el-dor--en-casa---sesi-n-80-aniversario-pilar-mir-.pdf. 2020
  • Ciller, Carmen & Palacio, Manuel. Cecilia Roth en España (1976-1985). Signa: revista española de la Asociación Española de Semiótica, nº 20. 2011
  • Ciller, Carmen & Romero, Rubén. "Andrés Vicente Gómez: un productor que marcó los 90" en Cine y Cultura Popular en los 90: España-Latinoamérica. Lit Verlag. 2020
  • Ciller, Carmen & Álvarez San Román, Mercedes. Traspasar la pantalla. Una fotografía de Laura del Sol. Cuadernos Tecmerin http://hdl.handle.net/10016/32036. 2021
  • Claude Lanzmann. Shoah. DVD. 1985
  • Jean-Luc Godard. Histoire(s) du cinéma. DVD. 1988-1998
  • Manuel Palacio. Historia de la televisión en España. Gedisa. 2009
  • Manuel Palacio. La televisión durante la Transición española. Cátedra. 2012
  • Manuel Palacio (ed.). Las cosas que hemos visto. 50 años y más de TVE. Instituto RTVE. 2006
  • Manuel Palacio, Juan Carlos Ibáñez, L. Bret. A new model for Spanish cinema. Autorship and globalization: the films of Javier Rebollo. Journal of Spanish Cultural Studies. Routledge. 2015
  • Manuel Palacio, Rubén Romero. El espacio cultural transnacional en la post-Transición. El caso de las series televisivas Amores difíciles y La Reina del Sur. Secuencias. Revista de historia del cine . [próxima publicación]
  • Manuel Palacio, Rubén Romero. El espacio cultural transnacional en la post-Transición. El caso de las series televisivas Amores difíciles y La Reina del Sur. Secuencias. Revista de historia del cine . 2017
  • Mark Cousins. The Story of Film: una odisea . DVD. 2011
  • TECMERIN. Cuadernos Tecmerin. Universidad Carlos III de Madrid. 2012-2017
Recursos electrónicosElectronic Resources *
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The course syllabus may change due academic events or other reasons.