K5: To learn about the main artistic, literary and creative movements and their influence on society, with special attention to their representation, preservation and digital dissemination K6: Understand the specific epistemological and conceptual principles underlying the Digital Humanities K7: To know the methodologies, tools and techniques of analysis, quantitative and qualitative, applicable to the Digital Humanities S2: Use the information by interpreting relevant data avoiding plagiarism, and in accordance with the academic and professional conventions of the area of study, being able to evaluate the reliability and quality of such information S3: Analyze literary, philosophical, historical, and artistic texts from a critical and contextualized perspective S6: Use digital image editors to create and modify images of real or virtual source, in 2D or 3D S9: Update their own knowledge in the field of Digital Humanities in accordance with the latest conceptions and technologies available S11: To present the results of their study or work in a clear and precise way, using the appropriate visualization methods, in the field of Digital Humanities C4: Carry out their tasks, whether academic or work, with autonomy, responsibility and accountability, maintaining a critical, constructive and collaborative spirit

SEMINAR 0. This space will provide the fundamental hermeneutical tools to be able to carry out the activities of the laboratories from a genealogical method that allows understanding the essential problems of concepts such as: Art, Science, Technology and Society (ACTS), technique vs. technology, surveillance and obedience, gender and appropriation, virtual materiality, expanded writings, technology and postcolonialism, intimacy and RR.SS... LABORATORY 1. Thinking with images: automation, intermediality and transmediality. In this laboratory, visual thinking and writing-image methodologies will be practiced to experience the transformations of images from their medial expansion. LABORATORY 2. Nature vs. Technology. Utopias and dystopias between bioart and ecofeminisms. This laboratory will explore the limits of the technological progress of artistic practices and their frictions with the apparent oppositions between nature and culture. LABORATORY 3. Bodies: cyborg aesthetics, avatars and new identities. In this laboratory, training tools will be put into practice that account for the metamorphosis of the body as a cultural construct based on hybrid artistic practices. FINAL SEMINAR. In this closing seminar, the final projects of the students will be worked on.