1: HISTORY AND THEORY
1) Introduction: Film festivals: origins and aims
2) The film festival as a discourse:
-Film festivals as art
-Film festivals as industry
-Film festivals as entertainment
3) Tipology of film festivals. Exhibition and legitimation of film production in the global society:
- ¿A¿-list film festivals
-Specialized film festivals
-Film festivals in Spain
2: STURCTURES
4) The festival as an agora
-Selection and sections
-Galas, awards and juries
-Spectators and public opinion
5) The festival as mediator
-Production and direction of film festivals: editorial lines (politics)
-The programmer: canons and anti-canons
-The star: promoting cinema
6) Geopolitics of film festivals
-Geogrpahies of the festivals
-City branding
-Local communities and transnational networks
-The festival as a market
-The festival as a producer
3: CASE STUDIES
7) 'A'-LIST FILM FESTIVALS
-The axis Cannes-Venice-Berlin and beyond (Locarno, Mar del Plata¿)
-San Sebastián
8) Specialized film festivals
-The festival as a creator of discourses: Sundance and ¿indie¿ cinema
-Genre festivals, modes and formats: horror, documentary, experimental, animation, short film festivals
-Festivals and politics: women and queer film festivals
-Film festivals and national cinemas
9) Film festivals in Spain
-Cartography and typology
-Funding and organization
-Examples