Checking date: 06/05/2025 10:32:54


Course: 2025/2026

Film Studies
(13522)
Bachelor in Film, Television and Media Studies (2008 Study Plan) (Plan: 154 - Estudio: 211)


Coordinating teacher: FERNANDEZ-RODRIGUEZ LABAYEN, MIGUEL

Department assigned to the subject: Communication and Media Studies Department

Type: Compulsory
ECTS Credits: 6.0 ECTS

Course:
Semester:




Requirements (Subjects that are assumed to be known)
Students are expected to have completed 'Moving Image History' and 'Reading Moving Image'.
Objectives
1-Competence to understand and analyse cinema from an academic perspective. 2-A broad knowledge of the main film theories and methodologies. 3-Competence to apply the different theories and methodologies in film analysis and research. 4-Competence to research the field of film studies and understand its problematics.
Description of contents: programme
1-What is cinema? Introduction and basic concepts. 1.1-Ways of understanding Cinema. Industry, Technology, Culture, Aesthetic. 1.2-Film Modes and Film Worlds: Documentary, Experimental and Fiction. 1.3-Development of film theories. 1.4-Film studies as a discipline. 1.5-Keywords to study cinema: auteurs, stars, genres, audiences. 2-Realisms. 2.1-The problem of realism: the ontology of the photgraphic image. 2.2-Digital realisms: from frame to pixel. 2.3-Film's vindications: auteur cinema and Third Cinema. Art and Politics. 3-Aesthetic perspectives and textual analysis. 3.1-Textual passion and film as a language: formalism, semiotics, structuralism and post-structuralism. 3.2-Sound. 3.3-Neo-formalism and cognitivism. 3.4-Phenomenology and the study of emotions and affect. 4-Identity politics, cultural studies and reception theories. 4.1-Feminism and post-feminism. 4.2-Queer Theory. 4.3-Multiculturalism and race theory. Postcolonialism and decolonization. 4.4-Ecocritique and ecocinema. 4.3-Visionary pleasures and popular culture. Reception and fandom.
Learning activities and methodology
1-Lectures Theoretical classes that give the student a notion about the different film theories. 2-Practices Case studies. 3-Student work Writing of essays supervised by the professor.
Assessment System
  • % end-of-term-examination/test 50
  • % of continuous assessment (assigments, laboratory, practicals...) 50

Calendar of Continuous assessment


Extraordinary call: regulations
Basic Bibliography
  • CHURCH GIBSON, Pamela and HILL, John (eds.).. Film Studies: critical approaches.. Oxford University Press.. 2000.
  • ELSAESSER, Thomas & HAGENER, Malte. Film Theory: An Introduction Through the Senses. Routledge. 2015 (second edition)
  • MacKENZIE, Scott (ed.). Film Manifestos and Global Cinema Cultures. A Critical Anthology. University of California Press. 2021
  • STAM, Robert. Film Theory. An Introduction. Blackwell. 2000
  • STEVENS, Kyle (ed.). The Oxford Handbook of Film Theory. Oxford University Press. 2022
Recursos electrónicosElectronic Resources *
Additional Bibliography
  • ANSELMO, Diana W.. A Queer Way of Feeling. Girl Fans and Personal Archives of Early Hollywood. University of California Press. 2023
  • BORDWELL, David y CARROLL, Nöel (eds.).. Post-theory. Reconstructing film studies.. University of Wisconsin Press. 1996
  • BRANIGAN, Edward & BUCKLAND, Warren (eds.). The Routledge Encyclopedia of Film Theory. Routledge. 2014
  • BRAUDY, Leo y COHEN, Marshall (eds.).. Film Theory and Criticism. Introductory Readings.. Oxford University Press. 2009
  • CASETTI, Francesco. The Lumière Galaxy: Seven Key Words for the Cinema to Come. Columbia University Press. 2015
  • CHURCH GIBSON, Pamela y HILL, John (eds.).. Film Studies: critical approaches. Oxford University Press. 2000
  • CORRIGAN, Timothy. A short guide to writing about film. Pearson. 2015 (9th edition)
  • DAVIS, Glyn; DICKINSON, Kay; PATTI, Lisa; VILLAREJO, Amy. Film Studies. A Global Introduction. Routledge. 2015
  • ELSAESSER, Thomas y HAGENER, Malte. Film Theory: An Introduction through the Senses.. Routledge.. 2009
  • GLEDHILL, Christine y WILLIAMS, Linda (eds.). Reinventing Film Studies. Oxford University Press. 2000
  • GRIEVESON, Lee y WASSON, Haidee (eds.).. Inventing Film Studies. Duke University Press.. 2008
  • MILLER, Toby y STAM, Robert (eds).. Film and theory. An anthology. Blackwell Publishers. 2000
  • MILLER, Toby y STAM, Robert (eds.).. A Companion to Film Theory. Blackwell Publishers. 2004
  • McDONALD, Kevin. Film Theory: The Basics. Routledge. 2016
  • NICHOLS, Bill. Engaging Cinema. An Introduction to Film Studies. W.W. Norton.. 2010
  • NICHOLS, Bill (ed.).. Movies and Methods. Volume 2. University of California Press. 1985
  • POLAN, Dana. Scenes of Instruction: The Beginnings of the U.S. Study of Film. University of California Press. 2007
  • RODOWICK, D. N.. The Virtual Life of Film. Harvard University Press. 2007
  • ROSSOUW, Martin P. & HANICH, Julian (eds.). What Film Is Good For. On the Values of Spectatorship. University of California Press. 2023
  • RUST, Stephen; MONANI, Salma & CUBITT, Sean (eds.).. Ecocinema: Theory and Practice. Routledge. 2012
Recursos electrónicosElectronic Resources *
(*) Access to some electronic resources may be restricted to members of the university community and require validation through Campus Global. If you try to connect from outside of the University you will need to set up a VPN


The course syllabus may change due academic events or other reasons.