Checking date: 24/06/2020


Course: 2020/2021

Media and Geography
(13549)
Study: Bachelor in Film, Television and Media Studies (211)


Coordinating teacher: GAMIR ORUETA, AGUSTIN

Department assigned to the subject: Department of Humanities: Geography, Contemporary History and Art

Type: Electives
ECTS Credits: 3.0 ECTS

Course:
Semester:




Competences and skills that will be acquired and learning results. Further information on this link
1. To provide to the students a capacity of analysis of the audio-visuals (photography, cinema, documentaries) not only as instruments of description and analysis, but also as means of representation of the geographical spaces. 2. To provide a general analysis on the relations, of double meaning, between the audio-visual and the geographical space, affecting in his social, territorial and economic repercussions.
Description of contents: programme
1. Introduction to the course. Cinema and geography: the importance of a little treated relation. 2. General considerations about cinema and Geography. Photography and the cinema during the 19th century and early the XXth. His labor of democratization of the imaginary spatial one. I.The classic supports of description of the territory II. The emergence of new supports. The new visual documentation of the territories. B. The action of intermediation of the cinema: real space, life space and filmed space. I. The mass media and his duty in the perception of the space. II. The filters of the mass media. C. Geographical space and movie space. I. The space in the cinematographic theory. II. The assembly and the virtual reconstruction of the geographical space. III. The dimensions of the movie space IV. The characteristics of the movie space. V. The links technologies between movie space and geographical space. VI. The cartography in the cinema. 3. The locations in the cinema. A.. Sources for information about the locations. B. The locations of the filming of the movies. C. Types of location. The real places. D. Types of location. The supplanted places. E. Considerations on the locations. 4. The landscape in the cinema. A General considerations. Principal explanatory theories. B.To estimate the landscape in the cinema. The factors of intermediation C. The movie landscape. Definition and characteristics 5. The geographical consequences. A. The cultural industry of the cinema and his geographical impact. B. The economic, social and territorial consequences during the filming. C. The consequences after the exhibition of the movie. D. The amplification and modification of the imaginary spatial one. Towards a " virtual geography ". 6. The description of the geographical aspects in the movies of fiction. The physical Geography. 7. The description of the geographical aspects in the movies of fiction. The human Geography.
Learning activities and methodology
In the second analysis of these foundations to various situations and problems of today's world ( representation of the physical environment , demography, urbanization , conflicts over the use of natural resources , environmental problems , fronterizos┬┐ spaces ) apply Finally, the third part is eminently practical content , consisting of the elaboration by students ( in small groups ) of a work in which the relationship between geographical space and media becomes apparent from a number of topics suggested by professor The theoretical and practical contents as well as the methodologies for its teaching are easily adapted to online teaching. In this sense, the use of programs such as Black board Collaborate or similar is foreseen, which allow online written, oral and visual communication between the teacher and the students.
Assessment System
  • % end-of-term-examination 0
  • % of continuous assessment (assigments, laboratory, practicals...) 100
Basic Bibliography
  • CONLEY, T. Cartographic cinema.. University of Minnesota Press, 2006.
  • CONLEY, T. "Locations of Film Noir".. The Cartographic Journal Vol. 46, nº 1, 2009.
  • Chaves Martín, M.A. (ed). Ciudad y comunicación. Universidad Complutense. 2015
  • DODDS, K.. "Popular geopolitics and audience dispositions: James Bond and the Internet Movie Dabase (IMDb)".. Transactions of the Institute of British Geographers, nº 31, 2006.
  • Deltell, L.. Madrid en el cine de la década de los cincuenta. Ayuntamiento de Madrid. 2006
  • ESCHER, A. y ZIMMERMANN, S.. "Geography meets Hollywood. The role of landscape in feature film".. Geographische Zeitschrift, vol. 89, nº 4. 2001.
  • GONZÁLEZ MONCLÚS, A.. "Cine y paisaje geográfico".. Tiempo y Tierra, nº 1, 1993.
  • GÁMIR ORUETA, A.. "La cartografía en el cine: mapas y planos en las producciones cinematográficas occidentales".. Scripta Nova. Revista Electrónica de Geografía nº 334, 2010.
  • GÁMIR ORUETA, A. . "La consideración del espacio geográfico y el paisaje en el cine". Scripta Nova nº 403. 2012
  • GÁMIR ORUETA, A. y MANUEL VALDÉS, C.. "Cine y Geografía: espacio geográfico, paisaje y territorio en las producciones cinematográficas".. Boletín de la Asociación de Geógrafos Españoles nº 45, 2007.
  • HARVEY, D.. La condición de la postmodernidad: investigación sobre los orígenes del cambio cultural.. Amorrortu, 1998.
  • HELLMANN, C. y WEBERÑHOF, C.. On location. Cities of the World in Film.. Verlag, 2006.
  • HENRIET, M.. Géographi du Western.. Nathan, 2003.
  • HJORT, M. y MACKENZIE, S. (EDS). Cinema and Nation.. Routledge, 2000.
  • Hoyt, E. (ed). The Arclight Guidebook to Media History and the Digital Humanities. Falmer. 2016
  • KITCHIN, R.M. y KNEALE, J. (EDS.). Lost in space: geographies of scinece fiction.. Continuum, 2002.
  • LEFEBVRE, M. (ED). Landscape and film. Routledge. 2006
  • LUKINBEAL, C.. "Cinematic Landscape".. Journal of Cultural Geography 23-1, 2005.
  • MACDONALD, G.M.. "Third World Films: a strategy for promoting geographic understanding".. Journal of Geography 89-6, 1990.
  • MELBYE, D.. Landscape allegory in cinema. From wilderness to wasteland. Palgrave. Mc.Millan. 2010
  • MOTTET, J.. Invention de la scene americaine. Cinema et paysage.. L¿Harmattan, 1998.
  • MOTTET, J. (DIR). Les paysages du cinéma.. Seyssel, 1999.
  • MOYANO, E.. La memoria escondida. Emigración y cine.. Tabla Rasa, 2005.
  • RAMÍREZ, J.A.. La arquitectura en el cine. Hollywood, la Edad de Oro.. Alianza, 1993.
  • ROSADO, C. y QUEROL, P.. Cine y turismo. Una nueva estrategia de promoción.. Junta de Andalucía, 2006.
  • SHIEL, M. y FITZMAURICE, T.. Cinema and the city: film and urban societies in a global context.. Blackwell, 2001.
  • SONTAG, S.. Sobre la fotografía.. Alfaguara, 2005.
  • SÁNCHEZ NORIEGA, J.L.. Diccionario temático del cine.. Cátedra, 2004.

The course syllabus and the academic weekly planning may change due academic events or other reasons.