The upcoming course will be entirely devoted to the relationship between politics and performance. The course will focus on both phenomena, which are more closely connected than seems at first glance: on the one side, the current spectacularity of politics, perceived as a never-ending performance; on the other side, the explicit political intent of a prominent part of contemporary artistic practices and, particularly, of performance art. The goal is to sketch the map of the possible convergences between both fields, dragging them into a philosophical and ideological framework that could be analytically fruitful. We will try to identify the nature of the performative component in contemporary politics, as long as we will try to clarify the place in which is rooted the political component of performance art. In the background of this discussion, we will consider the widespread crisis of representation that looms on the present democracies and the ensuing transformations of the social movements of protest. At the philosophical level, we will tackle the awkward tendency to aesthetization that seems to be rooted at the core of modernity so that we will end up dealing with the dilemmas of the presence in the public sphere and of repetition.