-To possess and understand key knowledge to be able to be original in the development and application of ideas, often within a research context. -Capacity to apply knowledge and solve problems in new environments within wider contexts (or multidisciplinary) related to the area of study. -Capacity to integrate knowledge and confront the complexity of judgments taking limited or incomplete information as a point of departure, including reflections on social and ethical responsibilities, linked to the acquisition of knowledge and judgment. -Capacity to express knowledge, convey reasoning and reach conclusions to specialized and non-specialized audiences in a clear, unambiguous fashion. -Screenplay development including executive production. -Direct and translation of screenplays into film and television images. -Identify the roles and human resources relations within the context of audiovisual productions. -Identify, select and develop proposals for film and television projects. -Create and explain audiovisual projects in pitching sessions. -Knowledge of the key tools of screenwriting for the development of film and television fiction. -Plan screenplays and mise-en-scene: basic notions on directing actors. -Plan and organize shooting plans. -Supervise and manage the postproduction and finalization processes.

1. THEORETICAL INTRODUCTION TO THE CONCEPT OF CHARACTER AND THE CHARACTERIZATION PROCESS 2. FICTIONAL WORLDS AND TYPES OF CHARACTERS 3. DIALGOUE AS A CHARACTERIZATION TOOL 4. COMEDY CHARACTERS I: CONSTRUCTION 5. COMEDY CHARACTERS II: TONE AND ARC OF TRANSFORMATION 6. DRAMA CHARACTERS I: FICTIONAL CHARACTERS AND ARCHETYPE 7. DARMA CHARACTERS II: HISTORICAL FICTION CHARACTERS